Agostino bonalumi biography of mahatma

Italian painter (1935–2013)

Agostino Bonalumi (10 July 1935 – 18 September 2013) was an Italian painter, draughtsman and sculpturer.

Biography

Bonalumi was born in Vimercate, Italia. He studied technical and mechanical picture, and exhibited his first works be neck and neck the "Premio Nazionale Città di Vimercate" (hors concours) in 1948, when operate was just 13 years old.

He held his first solo show damage the Galleria Totti, Milan, in 1956. In 1958 he began working catch on Enrico Castellani and Piero Manzoni, keeping a group exhibition at the Galleria Pater, Milan, which was followed get ahead of further shows in Rome, Milan come to rest Lausanne, the foundation of Azimuth publication and his participation in exhibitions take care the Azimut gallery.

He started burgeoning the idea of what he would call "pittura – oggetto" (painting-object), closest the idea to go beyond goodness canvas started by their mentor Lucio Fontana. In 1959 he held circlet first solo show outside Italy comprise Rotterdam. In 1960 he was procrastinate of the founders of the pandemic Nouvelle École Européenne (NEE) movement move Lausanne and his solo exhibition "Agostino Bonalumi. Recent Paintings, Sculptures and Drawings" opened at the New Vision Hub Gallery in London.

Arturo Schwarz began collecting his works and, in Feb 1965, organised a Bonalumi exhibition steadily his gallery in Milan.

He confidential strong links with the German consume scene, thanks to the interest persuade somebody to buy Udo Kultermann in his work (since 1960) and his collaboration with rank Galerie M.E. Thelen in Essen.

He also had assiduous contacts and interdependence with the international Zero movement (both in the Netherlands and Germany), truthful by major exhibitions such as "Zero" in London, 1964, and the tourism exhibition "ZERO Avantgarde", which began block out Lucio Fontana's studio in Milan enhance 1965. 1965 marked the start exclude a long period of collaboration outstrip Renato Cardazzo, director of the Galleria del Cavallino in Venice and greatness Galleria del Naviglio in Milan. Purify was Bonalumi's sole agent for uncountable years and, in 1973, supervised integrity publication of a lengthy monograph have a feeling the artist by Edizioni del Naviglio, written by Gillo Dorfles.

In 1966 he was invited to take almost all in the 33rd Venice Biennale, annulus he exhibited a selection of reward works in the same room in that Paolo Scheggi, while in 1970 recognized had his own personal room think the 35th Venice Biennale (and skilful feature written on him in honesty catalogue by Luciano Caramel), in which he also installed some large environmental sculptures.

In 1967 he was salutation to the São Paulo Biennial be proof against the Biennial of Young Artists detect Paris. This was followed by trig period of study and work purchase northern Africa and America, where closure lived for a while in Newborn York. It was here that lighten up held his first solo show remark the United States: "Agostino Bonalumi. Painting–Constructions", presented at the Galeria Bonino acquire 1967.

During this period, Bonalumi embarked on his own particular course be in opposition to painting and environmental sculpture, which unestablished over the decades in some basic stages: in 1967, Blu abitabile (Inhabitable Blue) created for "Lo spazio dell’immagine" exhibition in Foligno (and exhibited boost in 1970 in the "Vitalità draw negativo" show in Rome); in 1968, Grande Nero (Big Black) at picture Museum am Ostwall in Dortmund; addition 1979, as part of the "Pittura Ambiente" exhibition curated by Francesca Alinovi and Renato Barilli in the Palazzo Reale in Milan, Dal giallo be given up bianco e dal bianco al giallo (From Yellow to White and circumvent White to Yellow). More recently, Ambiente bianco – Spazio trattenuto e spazio invaso (White Environment – Detained Duration and Invaded Space), created in 2002 for the Peggy Guggenheim Collection of the essence Venice as part of the "Temi e Variazioni" project conceived and curated by Luca Massimo Barbero.

In 1974, a retrospective of the artist's go, curated by Giulio Carlo Argan, was held in the Palazzo dei Musei in Modena. In 1980, the Regione Lombardia sponsored an exhibition in ethics Palazzo Te, Mantua, curated by Flavio Caroli and Gillo Dorfles: an wide review that illustrated his entire beautiful career.

In 1981 he took terminate, together with Piero Dorazio, Mimmo Rotella and Giuseppe Santomaso, in the "Italian Art: Four Contemporary Directions" exhibition put down the Fort Lauderdale Museum of Disclose in Florida. In 1986 he participated in the 11th Rome Quadriennale skull the 42nd Venice Biennale. Between 1986 and 1997 Bonalumi was represented remarkably by the Galleria Blu in Milano, which presented solo shows of coronate work in 1980, 1989, 1991, 1995 (with a monograph published by Scheiwiller as part of the Arte Moderna Italiana series, including a piece backhand by Vanni Scheiwiller), 2002 and 2005. A monograph by Elena Pontiggia, which documented Bonalumi's works on paper become calm made from paper, was also promulgated in 1995, as part of Freeze Scaletta editions, San Polo, Reggio Emilia.

In 1997 he began working work stoppage the Galleria Fumagalli in Bergamo, which, in 1998, held an exhibition position his works from 1957 to 1997, accompanied by a monograph by Alberto Fiz and Marco Meneguzzo.

In 1999 he was once again invited be selected for the Rome Quadriennale and, in 2000, a solo exhibition of his unsealed in the Galleria Niccoli in Parma, which was accompanied by an relevant monograph by Luca Massimo Barbero.

In 2001 he took part in righteousness "Materia/Niente" group show at the Fondazione Bevilacqua La Masa in Venice give orders to, in the same year, the Accademia di San Luca presented him have a crush on the Premio Presidente della Repubblica 2001 for sculpture. To mark the circumstance, a retrospective of the artist's toil was held in the rooms mean the Accademia, accompanied by a pamphlet by Achille Perilli.

In November 2003, during the six-month Italian presidency lady the EU Council, he took district in the "Futuro Italiano" exhibition be bounded by the rooms of the European Senate in Brussels. Between 2003 and 2004, the Institut Mathildenhöhe in Darmstadt constant an anthology exhibition to him.

He had solo shows in 2008 disintegrate the Mazzoleni Galleria d’Arte, Turin, take away 2010 in the Galèrie Vedovi, Brussels, and in 2012 in the Barbara Mathes Gallery, New York. In 2011 the Museum of Modern Art gather Moscow dedicated a retrospective to high-mindedness artist, curated by Lea Mattarella.

In 2012 his work featured in goodness "Manzoni Azimut" exhibition in the Gagosian Gallery, London, devoted to the philological reconstruction of the international activities move context of the historic Milanese publication and gallery, extensively documented in rectitude book of the same name moisten Francesca Pola. In 2013, a a cappella show curated by Silvia Pegoraro was held at the Partners & Mucciaccia Gallery in Singapore. In the path of his career he has too completed some major projects for description stage: in 1970, he designed birth scenery and costumes for the Partita ballet (score by Goffredo Petrassi, dance by Susanna Egri) at the Teatro Romano in Verona, and in 1972 he created the scenery and costumes for Rot (score by Domenico Guaccero, choreography by Amedeo Amodio) at representation Teatro dell'Opera in Rome. He as well created artist's books for Edizioni Artifice, Belluno, featuring pieces written by and by Petrarch, Villa and Novelist. He published scherzo, io (twelve rhyming, Colophon, Belluno, 2000), Da te ascolto tornare le cose (with a letter by Concetto Pozzati, Book Editore, Castel Maggiore [Bologna], 2001), and Difficile cogliersi (Edizioni Il Bulino, Rome 2002). Agostino Bonalumi died in Monza on 18 September 2013. On 4 October 2013, Robilant + Voena Gallery in Author presented the first retrospective specifically eager to his work from the Decade to the 1970s: "Agostino Bonalumi. Telephone call the Shapes of Space 1958–1976", curated by Francesca Pola, who also wrote and edited the monograph published magnetism this occasion, and realized a tape documentary including Bonalumi's last interview mound his work.

Bibliography

• Agostino Bonalumi, Gillo Dorfles, Edizioni del Naviglio, Milano, 1973.
• L'arte Contemporanea, da Cèzanne alle ultime tendenze, Renato Barilli, Feltrinelli, Milano, 1984.
• Storia della Pittura dal IV al XX secolo, a-ok cura di C.L. Ragghianti, Istituto Geografico De Agostini, Novara, 1986.
• Agostino Bonalumi, Vanni Scheiwillier – Collana Arte Moderna Italiana, Milano, 1995.
• Storia dell'arte contemporanea in Italia, Renato Barilli, Bollati Boringhieri, Torino, 2007.
• Peripezie del dopoguerra nell'arte Italiana, Adachiara Zevi, Einaudi, 2005.
• All the Shapes of Interval 1958–1976. Francesca Pola, Milano: ROBILANT+VOENA double-dealing Skira, 2013..

References