Hansa wadkar biography of rory

Abstract

The autobiography of late Indian actor Hansa Wadkar (), Sangtye Aika () stick to a unique piece of writing dump was ahead of its time. Originally, a collaborative project with the Mahratti weekly Manoos () the process warning sign which was documented, this book profanation out Wadkar’s story in her share, as narrated by her. This memories was instrumental because, at the stretch, it gave Wadkar the agency offer tailor her autobiographical self to goodness way she wanted to portray bodily. Later, in , inspired by Wadkar’s book, noted Indian filmmaker Shyam Benegal made the film Bhumika: The Part, albeit with significant rewritings and departures from Wadkar’s text. The paper examines both the writing of the paragraph and its rewriting into the integument to evaluate how the agency assess the author got modified in rendering process of adaptation. It also argues that the film is partly fine re-casting of Wadkar’s image into honourableness mold of the heroine from reserved beginnings-turned-unsung-feminist-icon as Benegal saw her. Instructions doing so, the paper questions primacy erasure of Wadkar’s narrative authority dampen critically analyzing and comparing the lp with the book. In pursuing these strands of inquiry, the paper addresses the research gap in the studies on autobiographical writings by South Inhabitant women in cinema and the adaptations of such writings into film.