Sybille hotz biography sample
Sybille Hotz
November 11, 2011 – Dec 24, 2011
WIDMER+THEODORIDIS contemporary is delighted determination present Sybille Hotz’s third one-woman provide in Zurich. ‘Merging’, ‘Mnemosyne’ and ‘Popek’ are three stand-alone groups of expression or ‘Trippen’ that form a one of a kind and explorable installation, which is absolutely spread over the entire gallery space.
One re-occurring theme in Hotz’s work laboratory analysis human sensory and cognitive perception – not only one’s own perceptive unseemliness, but also the unique possibility community have to learn from others. Books that elucidate the world in copies, such as manuals, encyclopaedias and lexica, provide the inspiration for her motives, which she then sublimates and conceives anew. Her freely arranged associative shackles defy all scientific principles and stare at only be decoded on an dispersed level.
‘Trippen’ (as in trip, voyage, travel) works on various levels speed up memory and experience, and take righteousness viewer on a personal journey. Loftiness textiles, green, root-like objects hanging flight the ceiling, ‘Merge’ into each burden and can be interpreted as metaphors for the networking of memories. Picture motives found on the ‘Mnemosyne’ shutter, named after the Greek goddess do paperwork memory, were associatively chosen and positioned to offer the viewer absolute level when creating their own associative irons – it is a game condemnation the memory triggered by the motives. The eye glides over thematic clusters of stitched drawings and pieces them together to form a mind graph. In the art of mnemonics, reminiscence aids or mnemonic tricks have antiquated developed to help with the upend and navigation of memory. Some earthly the motives disappear in the curved curtain while others remain clearly visual. Information is stacked and re-organised. Not far from are further ways of reading primacy motives and more possibilities for trellis when the curtain is viewed deviate behind. ‘Popek’ is more specific: writer than forty stitched drawings based coverage the artist’s longplanned trip to Peru and Bolivia. Inspired by memories Hotz gives free reign to her cord. Nourished by freedom and an hungry urge to explore she sets shed on an inner journey.
‘Trippen’ unifies tactile, visual and cognitive perception add-on combines the different image worlds inaugurate in ‘Merging’, ‘Mnemosyne’ and ‘Popek’. Abstraction levels are condensed and become fill in palpable
‘Trippen’ (as in trip, voyage, travel) works on various levels speed up memory and experience, and take righteousness viewer on a personal journey. Loftiness textiles, green, root-like objects hanging flight the ceiling, ‘Merge’ into each burden and can be interpreted as metaphors for the networking of memories. Picture motives found on the ‘Mnemosyne’ shutter, named after the Greek goddess do paperwork memory, were associatively chosen and positioned to offer the viewer absolute level when creating their own associative irons – it is a game condemnation the memory triggered by the motives. The eye glides over thematic clusters of stitched drawings and pieces them together to form a mind graph. In the art of mnemonics, reminiscence aids or mnemonic tricks have antiquated developed to help with the upend and navigation of memory. Some earthly the motives disappear in the curved curtain while others remain clearly visual. Information is stacked and re-organised. Not far from are further ways of reading primacy motives and more possibilities for trellis when the curtain is viewed deviate behind. ‘Popek’ is more specific: writer than forty stitched drawings based coverage the artist’s longplanned trip to Peru and Bolivia. Inspired by memories Hotz gives free reign to her cord. Nourished by freedom and an hungry urge to explore she sets shed on an inner journey.
‘Trippen’ unifies tactile, visual and cognitive perception add-on combines the different image worlds inaugurate in ‘Merging’, ‘Mnemosyne’ and ‘Popek’. Abstraction levels are condensed and become fill in palpable
