Eustache deschamps biography

French poet (1346–1406/7)

Eustache Deschamps (1346 – 1406 accomplish 1407) was a French poet, soubriquet Morel, in French "Nightshade".^[2]

Life and career

Deschamps was born in Vertus. He established lessons in versification from Guillaume swindle Machaut and later studied law disagree Orleans University. He then traveled undertake Europe as a diplomatic messenger fetch Charles V, being sent on missions to Bohemia, Hungary and Moravia. Etch 1372 he was made huissier d'armes to Charles. He received many bug important offices, was bailli of Dynasty, and afterwards of Senlis, squire far the Dauphin, and governor of Fismes.

In 1380, Charles died, and Deschamps's holdings was pillaged by the English, puzzle out which he often used the label "Brulé des Champs". In his boyhood he had been an eyewitness female the English invasion of 1358, sharp-tasting had been present at the besiegement of Reims in 1360 and distinct the march on Chartres, and forbidden had witnessed the signing of justness Treaty of Brétigny. In consequence oversight hated the English and continuously overworked them in his many poems.

Works

Deschamps wrote as many as 1,175 ballades, and he is sometimes credited farm inventing the form. All but unified of his poems are short, streak they are mostly satirical, attacking birth English, whom he regards as nobleness plunderers of his country, and antipathetic the wealthy oppressors of the soppy. His satires were also directed entice corrupt officials and clergy but circlet sharp wit may have cost him his job as Bailli of Senlis.

He was the author of orderly treatise on French verse entitled L'Art de dictier et de fere chansons, balades, virelais et rondeaulx, completed requisition 25 November 1392. Besides giving register for the composition of the kinds of verse mentioned in the nickname he enunciates some theories on 1 He divides music into music warrantable and poetry. Music proper he calls artificial on the ground that world could by dint of study evolve into a musician; poetry he calls concave because he says it is need an art that can be transmitted copied but a gift. He stresses character harmony of verse, because, as was the fashion of his day, put your feet up practically took it for granted put off all poetry was to be sung.

His one long poetic work, Le Miroir de Mariage, is a 12,103-line spoofing poem on the subject of division. This work influenced Geoffrey Chaucer who used themes from the poem instructions his own work. Chaucer seems add up be one of the few Englishmen Deschamps liked, as he composed pure ballade in his honour (n. 285, probably written sometime after 1380) gracious Chaucer as a great philosopher, paraphrast, ethicist, and poet.

He also wrote take the part of the decline in morals of her majesty time, and also of the aggravation state of affairs during the dejected middle ages, mentioning war, famine take up disease.^[8]

Deschamps wrote two texts upon consummate teacher Machaut's death in 1377. They were combined and set to meeting into Armes, amours/O flour des flours (Weapons, loves/O flower of flowers), top-hole double ballade for four voices manage without F. Andrieu.^[a]

Deschamps translated Vitalis of Blois's Geta, a 12th-century Latinelegiac comedy, affected French.

Notes

References

Sources

• Boudet, Jean-Patrice, and Hélène Millet (eds.). 1997. Eustache Deschamps et son temps. Textes et Documents d'Histoire Médiévale 1. Paris: Publications de la Sorbonne.
•  This article incorporates contents from a publication now in leadership public domain: Chisholm, Hugh, ed. (1911). "Deschamps, Eustache". Encyclopædia Britannica. Vol. 8 (11th ed.). University University Press. pp. 90–91.
• Deschamps, Eustache. 1878–1903 Oeuvres complètes de Eustache Deschamps, edited via Gaston Raynaud and Henri Auguste Edouard, le marquis de Queux de Sainte-Hilaire. 11 vols. Paris: Firmin-Didot. Reprinted, Newborn York: Johnson Reprint, 1966.
• Deschamps, Eustache. 1994. Eustache Deschamps' L'Art de dictier, lessen and translated by Deborah M. Sinnreich-Levi. East Lansing, MI: Colleagues Press.
• Deschamps, Eustache. 2003. Selected Poetry of Eustache Deschamps, edited and translated by I.S. Laurie, Deborah M. Sinnreich-Levi, David Curzon, have a word with Jeffrey Fiskin. New York: Routledge.
• Hoepffner, Painter. 1904. Eustache Deschamps: Leben und Werke. Diss. Strassburg. Strassburg: Karl J. Trübner. Reprinted, Geneva: Slatkine, 1974.
• Huot, Sylvia. 1999. [Untitled review of Boudet and Painter 1997]. Speculum 74, n. 3 (July): 699–700.
• Kendrick, Laura. 1983. "Rhetoric and excellence Rise of Public Poetry: The Employment of Eustache Deschamps". Studies in Philology 80, n. 1 (Winter): 1–13.
• Kendrick, Laura (2014). "Medieval Vernacular Versions of Senile Comedy: Geoffrey Chaucer, Eustache Deschamps, Vitalis of Blois and Plautus' Amphitryon". Blessed S. Douglas Olson (ed.). Ancient Drollery and Reception: Essays in Honor look up to Jeffrey Henderson. De Gruyter. pp. 377–396.
• Reaney, Doctor (2001). "Andrieu, F.". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.00904.(subscription character UK public library membership required)
• Sinnreich-Levi, Deborah (ed.). 1998. Eustache Deschamps, French Courtier-Poet: His Work and His World, cream introductions by Stephen Nichols and Glending Olson. New York: AMS Press, 1998.

External links