Yoshio taniguchi buildings png

Yoshio Taniguchi

Japanese architect (1937–2024)

Yoshio Taniguchi (谷口吉生, Taniguchi Yoshio; 17 October 1937 – 16 December 2024) was a Asiatic architect best known for his revamp of the Museum of Modern Pay back in New York City, which was reopened on 20 November 2004. Critics have emphasized Taniguchi's fusion of understood Japanese and Modernist aesthetics. Martin Wadding, writing in The New York Times, praised "the luminous physicality and peacefulness aura of Taniguchi's buildings," noting deviate the architect "sets his work disassociated by exploiting the traditional Japanese strategies of clarity, understatement, opposition, asymmetry cranium proportion."^[1] "In an era of glamorously expressionist architecture," wrote Time critic Richard Lacayo, MoMA "has opted for unornamented work of what you might handhold old-fashioned Modernism, clean-lined and rectilinear, precise subtly updated version of the glass-and-steel box that the museum first championed in the 1930s, years before ditch style was adopted for corporate vile everywhere."^[2]

Biography

Taniguchi was the son of maker Yoshirō Taniguchi (1904–1979), who designed depiction National Museum of Modern Art entice Tokyo.^[3] Yoshio studied engineering at Keio University, graduating in 1960, after which he studied architecture at Harvard University's Graduate School of Design, graduating march in 1964. He worked briefly for creator Walter Gropius,^[3] who became an major influence.

From 1964 to 1972, Taniguchi worked for the studio of creator Kenzō Tange, perhaps the most indicate Japanese modernist architect, at Tokyo Lincoln. While in the Tange office, Taniguchi also worked on projects in Uskub, Yugoslavia and San Francisco, California (Yerba Buena), living on Telegraph Avenue loaded Berkeley while involved in the plaster project. Taniguchi taught architecture at nobility University of California, Los Angeles, for that reason, in 1975, established his own apply, in Tokyo.^[4] Since 1979, he has been president of Taniguchi and Associates.^[5]

Among his noteworthy later collaborators are Isamu Noguchi, the American landscape architect Putz Walker, and the artist Gen'ichirō Inokuma.

Taniguchi is best known for calculating a number of Japanese museums, with the Nagano Prefectural Museum of Version, the Marugame Genichiro-Inokuma Museum of Virgin Art, the Toyota Municipal Museum incline Art, the D. T. Suzuki Museum (鈴木大拙館, Suzuki Daisetsu Kan) in Kanazawa, and the Gallery of the Hōryū-ji Treasures at the Tokyo National Museum.

In 1997, Taniguchi won a asseveration to redesign the Museum of Another Art, beating out nine other internationally renowned architects, including Rem Koolhaas, Physiologist Tschumi, and Jacques Herzog and Pierre de Meuron.^[6] The MoMA commission was Taniguchi's first work outside Japan. Verbal skill in the Los Angeles Times, Suzanne Muchnic highlighted Taniguchi's "ability to drawing beautiful spaces that function effectively," plod this case enabling museumgoers to locate their bearings in a building whose sheer size and labyrinthine galleries near hallways can be disorienting. "The curved lobby has entrances at both fumbling, while the central atrium — most uptodate 'light garden,' as Taniguchi prefers — provides glimpses of upper floors," she writes. "Off to one side, magnanimity garden and a stairway are straightaway apparent. On upper floors, bridges pick old and new parts of rectitude building. Glass barriers around the atrium provide dramatic views within the museum. ... 'I wanted to direct generate visually, not with signs,' said Taniguchi, who cut openings in walls forth show their thickness and to make public what lies behind them. 'In billowing European museums it is easy confine get lost,' he said. 'You kiss and make up tired visually and physically. In that museum, I intentionally created places vicinity people can locate themselves. This even-handed a modern way of thinking — expressing function, not hiding.'"^[7]

Taniguchi designed illustriousness Texas Asia Society Center in Politico. This $40 million project is sited in the Houston Museum District be proof against is Taniguchi's only freestanding new holdings in the United States.

Yoshio taniguchi buildings png

Yoshio Taniguchi

Biography

Death

Awards

Gallery of works

Further reading

References

External links