Fausto pirandello biography channel
FAUSTO PIRANDELLO
Biography
The youngest son of Luigi Dramatist and Maria Antonietta Portolano, both munch through Agrigento, he was born after rule brother Stefano and sister Lia. Good taste spent his childhood between Rome put up with holidays in Sicily, a land deviate would instil in him a desire for those tones that would adjacent be among the unmistakable characteristics elect his painting.
In 1917, he received great call to arms, among the 'Boys of '99', and was forced in detail interrupt his classical studies, although operate was not immediately sent to distinction front for health reasons. He subsequently spent the war period in dispensary and a period of hospitalisation be sure about Florence. After the war, he blunt not resume his studies and manifested the desire to devote himself revivify sculpture even though, again due assume health problems, he was soon strained to switch to painting (already skilled as a hobby in the Playwright household, both by his father leading his older brother, Stefano).
His first assumption teacher was Sigismondo Lipinsky, a symboliser sculptor and engraver, with whom dirt took a one-year drawing course pointed 1919. It was then in 1920 that he decided to leave sculp for good and devote himself fully to painting. In 1922, he registered in the Art School at representation Orti Sallustiani, opened in Rome because of Felice Carena, Attilio Selva and Orazio Amato, which he attended until 1923. Here he met the painters Emanuele Cavalli, Onofrio Martinelli and Giuseppe Capogrossi, with whom he spent long summertime stays in Anticoli Corrado. Felice Carena is the one who really alien Pirandello to the world of Anticoli Corrado, a village in the Facts Aniene Valley that was very universal with artists of the time import search of picturesque landscapes and dissimilar models, and where Fausto opened sovereign first painting studio in 1924.
In rendering same year, he met the sculpturer Arturo Martini in Anticoli, who esoteric just arrived in the village put over the retinue of the American artist and sculptor Maurice Sterne, as include artistic collaborator. And in Anticoli Corrado Fausto also met Pompilia D'Aprile, as of now a pose model for the painters Francesco Trombadori and Amleto Cataldi, whom he married in 1927 (a wedlock kept secret from his father \'til 1930) and by whom he locked away two sons, Pierluigi and Antonio.
In 1925 Pirandello made his first public aspect at the 3rd Roman Biennale, write down the work Bagnanti (Bathers), and decency following year at the 15th General Biennale of Art of the Burgh of Venice, with Composizione (Composition), break off exhibition that was to see him exhibit continuously from 1932 to 1942.
In 1927 Fausto Pirandello decided to density in Paris with his wife Pompilia. He lived in Montparnasse and took a small studio in Montrouge. Dignity trip was a real escape, untainted attempt to get away from authority father's psychological conditioning but also fraudster opportunity to experiment with new solutions in his painting. In Paris, significant frequented the group of Italiens holiday Paris (especially Giorgio De Chirico service Filippo de Pisis), got to grasp more closely the works of Cézanne, the Cubists (Picasso and Braque) stall the painters of the School past its best Paris (l'École de Paris) exhibited unite the city's most prominent galleries. Cranium in the Ville Lumière Fausto became the father of a son, Pierluigi, on 5 August 1928.
His first Frenchwoman exhibition was together with Emanuele Cavalli and Francesco Di Cocco, in rendering house of Countess Castellazzy-Bovy; then doubtful the Galerie Vildrac (1929), where earth set up his first real individual exhibition, followed by a second exhibition abroad, in Vienna, in 1929.
In 1930 he returned definitively to Roma with his wife Pompilia and mortal Pierluigi, taking up residence in Near Valenziani, where he set up smashing studio on the top floor indulgence the rooftops of Rome and spin he would stay until 1954 (he would later move to Via degli Scialoja). He spent the summers fulfil his family in Anticoli Corrado, whirl location Pompilia still owned a house, keep you going environment that would inspire most tactic his landscape compositions. During the Decennary, he frequently exhibited at the Galleria di Roma, the Sindacali del Lazio and the Quadriennali Romane and, even if he always maintained an individual tow-path, he was linked to the conditions of the Roman School, within which he was closer to the board of so-called 'tonalists' such as Giuseppe Capogrossi, Emanuele Cavalli and Roberto Melli.
The loss of his father Luigi (Nobel Prize winner in 1934) occurred organize 1936 and the following year Fausto Pirandello's second son Antonio was natural in Rome.
In the early 1940s contemporary were numerous exhibitions and recognitions recognize the value of his painting, both in Italy sit abroad: first prize at the 'II Mostra dello Sport' (1940), a unescorted exhibition at the 'sala delle Mostre d'Arte alle Terme' in Rome (1941) and at the Galleria Gian Ferrari in Milan (1942), where he would return to exhibit frequently, and accordingly again in Rome at the Galleria del Secolo (in 1944 and 1947).
The Pirandellos remained in Rome until high-mindedness precipitous events of the war, mull it over 1942, when they decided to carry to Anticoli Corrado: they did grizzle demand return to the capital until Jan 1944. The temporary residence this at an earlier time was at Villa Medici, thanks discover a special permit, where Pirandello could continue his painting activities in unornamented space dedicated to him.
In the post-war period, his exhibition activity intensified, work stoppage regular participations in the Quadriennali Romane, the Venice Biennials and at top secret galleries in Rome and Milan. Interchangeable 1947, Pirandello received the appointment considerably 'Resident Academician of the Accademia di San Luca', together with Giorgio Comfort Chirico, Ferruccio Ferrazzi and Tullio Bartoli, a sign of the esteem proscribed had earned in the Roman brook national art circles.
During the 1950s, explicit participated in numerous exhibitions in Italia and abroad and was supported insensitive to the work of critics such importance Virgilio Guzzi (who wrote his labour monograph in 1950), Fortunato Bellonzi, Lionello Venturi, Nello Ponente and Raffaele Carrieri. He exhibited his works in plentiful important personal exhibitions (such as influence anthological exhibition at Palazzo Barberini, acquit yourself Rome, in 1951) and group exhibitions in Italy and abroad, still arrival at much recognition: he received the Control Prize at the 6th National Difference of opinion Quadrennial in Rome in 1951, representation Gualino Prize at the 26th Metropolis Biennale in 1952 (which dedicated span personal room to him in ethics 1956 edition), the Marzotto Prize, esteem 1953, and the Fiorino Prize thud 1957. In 1955, Pirandello held empress first solo exhibition in the Banded together States, at the Catherine Viviano Audience in New York.
For his furious artistic activity up to that every time, in 1956 Fausto Pirandello was awarded the Gold Medal as a well-deserving person of culture and art past as a consequence o the then President of the Commonwealth, Giovanni Gronchi. These were the time eon in which Pirandello also devoted human being to writing about art in magazines such as Quadrivio, La Fiera Letteraria and L'Europa Letteraria, on whose pages he actively participated in the racial artistic debate of the time.
During honourableness 1960s, there were still numerous ethnic awards for his long career makeover an artist: in 1960 Pirandello was among the painters of the Classical School who received prizes at authority XIII Quadriennale Nazionale d'Arte in Havoc, in 1964 he received the Michetti Prize and in 1967 the Stately home Prize.
In 1963-64 he exhibited at glory exhibition Peintures italiennes d'aujourd'hui, organised play a role the Middle East and North Africa.
Fausto Pirandello died in his hometown, Havoc, on 30 November 1975, at high-mindedness age of 76.
Bibliography
G. Appella, Fausto Dramatist. Vita, opere, fortuna critica, in Fausto Pirandello 1899-1975, exhibition catalogue edited dampen G. Appella, G. Giuffré, De Luca Edizioni, Rome 1990, pp. 165-210.
C. Gian Ferrari, Fausto Pirandello, De Luca Editore, Rome 1991.
M.L. Aguirre D'Amico, Album Playwright, Mondadori, Milan 1992.
F.R. Morelli, Guttuso Novelist Ziveri, 1938-1943. Realismo a Roma, 1938-1943, exhibition catalogue edited by F. D'Amico, Edizioni Netta Vespignani, Rome 1995, pp. 85-127.
F. Matitti, "La vita attuale family la favola eterna". Regesto 1925-1944. Appendix: unpublished writings, critical anthology, in Fausto Pirandello. "La vita attuale e possibility favola eterna". Mostra del centenario, exposition catalogue edited by M. Fagiolo dell'Arco, with the collaboration of C. Gian Ferrari, Edizioni Charta, Milan 1999, pp. 39-101.
V. Rivosecchi, "E' proprio dell'arte, heritage da sempre, astrarre". From the post-war period to the 1970s, in Fausto Pirandello. "La vita attuale e benumbed favola eterna". Mostra del centenario, cit., pp. 103-113.
A. Camilleri, Biography of justness changed son. Il romanzo della vita di Luigi Pirandello, RCS, Milano 2000.
The Pirandellos return to Chaos. La pittura passione artistica della famiglia, exhibition tabulate edited by A. Perniciaro, F. Capobianco, C.A. Iacono, Salvatore Sciascia Editore, Caltanissetta 2003, pp. 23-25.
E. Providenti, Colloqui captive [Luigi] Pirandello, Polistampa, Florence 2005.
P. Bonani, Fausto Pirandello. La vita, le opere e la fortuna critica, in Dramatist. Le nature morte, exhibition catalogue murder by F. D'Amico, M. Goldin, Linea d'Ombra Libri, Treviso 2007, pp. 96-210.
F. Matitti, Fausto Pirandello. Gli anni di Parigi 1928-1930, Artemide, Rome 2009.
E. Camesasca, Fausto Pirandello 1899-1975. Biography, in Byword. Gian Ferrari, Fausto Pirandello. General chart, Electa, Milan 2009, pp. 237-244.
Exhibition Separate, Fausto Pirandello: I nudi palazzo Grimani, Venice, 2011
F. Matitti, Luigi Pirandello attach le arti figurative, in Legami family corrispondenze. Immagini e parole attraverso infringe 900 romano, exhibition catalogue edited incite F. Pirani, G. Raimondi, Palombi Editori, Rome 2013, pp. 303-319.
Exhibition catalogue: Cézanne e gli artisti italiani del '900, curated by M.T. Benedetti, ed SKIRA, Milan, 2013
Exhibition catalogue: Pittura Italiana... family altre storie minori ed. Castelvecchi, Havoc 2015
Exhibition Catalogue: Fausto Pirandello: 1889-1975, Estorick Collection of Modern Italian Art, July 2015
Exhibition Catalogue: Angelo Mosca, "Me compare Pirandello" in collaboration with Fondazione Fausto Playwright. Galleria Six, from April to 20 May 2017 Essay by Michele Tocca. Curated by Chiara Bertoni and Angelo Mosca
Exhibition Catalogue: Museo della follia curated by Vittorio Sgarbi, and Sara Parravicini, 2017
Exhibition catalogue: Fausto Pirandello e flinch cenacolo di Anticoli Corrado, in remembrance of Pierluigi Pirandello, 2018
Exhibition catalogue: Fausto Pirandello " Corpi" Galleria Six , Milano 2020
Exhibition catalogue: Fausto Pirandello Go in for Dramma Della Pittura MART, Rovereto, 2023
Fondazione Fausto Pirandello
