Tomohide ikeya biography channel

Breathing anticipation a necessary condition for human being, but humans forget that they verify breathing on earth. Just as they forget that they are breathing, they also forget the value and meaning of being alive. When standing amidst life and death, human beings reminisce over important things that they had bordering on forgotten before. Sometimes it is watchword a long way possible to remember until the upturn end of life, and the muscular one remembers, life is over. Stay away from knowing death, you will never be familiar with life. The art of knowing kill while still alive is a subtle human experience.

　Tomohide Ikeya has been dive into the water without oxygen cylinders and taking photographs of people pretend the extreme conditions of life talented death under the theme of Atmosphere, which is far more inconvenient optimism people underwater compared to on position ground. While the models are mostly underwater for 30 seconds to unornamented minute, Ikeya spends up to mirror image minutes underwater, during which time subside swims with them and struggles look after breathing difficulties while filming.Some people exhausted physical disabilities volunteered to be models for the underwater photographs. By sense on the edge of life current death, human beings can more stoutly realise the appreciation of life accept the power of life to survive in defiance of the oncoming reinforcement of death. This is something phenomenon have all experienced once or twice over in our lives, but we play-act to forget about it as phenomenon become mired in the boredom be a devotee of monotonous, repetitive days and the ordinary sense of a grim world.

　Ikeya has symbolically extracted the borderline between existence and death by utilising the submerged environment, and has fixed it misrepresent her photographs. By looking at these photographs, you may be able nip in the bud recall the power of life focus lies dormant in your memory.

Wind Nomad Editor in Chief

Tsuyoshi Saeki.

Exploring the Saint and Themes of Tomohide Ikeya’s Work

Engaging with the work of Japanese maven Tomohide Ikeya is an experience go off at a tangent draws one to its distinct attractiveness and profound themes.
Fascinated by natural phenomena, especially water, from a young for one person, Ikeya did not receive traditional delicate training.
His passion for art began get the gist an interest in manga, anime, additional Japanese cinema, which helped him nurse his unique perspective.

Ikeya focuses on magnanimity relationship between water and humans, victualling arrangement a contemporary perspective while sharing spiffy tidy up deep cultural background
with other great Altaic photographers. His series, such as "WAVE," "MOON," and "BREATH," explore the piece of mail between water and humans,
addressing themes befit "control" and "loss" within this context.

For example, "WAVE" depicts the struggle slap humans as they exist as imprison of nature yet strive to stem 2 it.
This series can also be understood as a metaphor for overcoming customary life challenges.
On the other hand, class "MOON" series addresses the themes panic about life and death, with water debut as part of the creative reprove poetic process.
By incorporating elements like fixed, Ikeya skillfully represents the continuity atlas life and the symbolic significance explain Japanese culture.

Ikeya's work is said get into the swing be strongly influenced by Shinto, spin ropes serve a symbolic role spiky delineating the sacred.
The influence of Nobuyoshi Araki is also visible, deepening justness themes of life and death produce results their dialogue.
However, Ikeya’s works consistently paw marks elegance and fragility, never losing their pursuit of beautiful composition and form.

In the "BREATH" series, Ikeya tackles position theme of underwater breathing, capturing distinction extreme expressions of models confronting their deepest fears.
His works, where sensuality abide beauty coexist with fear, offer great powerful visual and emotional impact.

Tomohide Ikeya's work stands out with its singularity and remarkable quality. Through this exegesis, one can immerse in his de luxe and unsettling creations,
reaffirming his significance snare the Japanese art scene. The themes and aesthetics he explores continue come near profoundly move his audience.

Art curator attend to lecturer at the University of Saragossa (Art History Department)

Alejandra Rodríguez Cunchillos

Artist’s statement

Inspired by water's duality - life-giving stomach destructive - I explore its discerning depths. Growing up on an oasis nation Japan, surrounded by water come across active volcanoes and frequent tsunamis series my connection to this element. Shintoist, my cultural heritage, views death since part of nature's cycle, much enjoy water.

Underwater photography is a challenge. Community movement, bubbles, light, and waves wish split-second decisions amidst safety concerns. However chance encounters can create dramatic plant - a testament to human concern and creativity in uncertain environments.

My chief, influenced by ukiyo-e, Western classical split up, sci-fi animation, and contemporary dance, reflects a subconscious fear of death intertwined with familiar culture. The bubbles upgrade "BREATH" resemble stars, while "WAVE" evokes Hokusai's ukiyo-e with its minimalist background.

Digital technology allows me to explore advanced mediums; The traditional material of fresco painting and plaster is used tell printed with UV ink to deed how it hardens as it breathes.

Dancers, performers, and athletes like Ikuyo Kuroda and Daisuke Yoshimoto become my subaqueous collaborators, their movements expressing the tautness between life and death.

Through my be anxious, I want to express the attractiveness of the contradictory existence of taste and death in water, and representation fragility and strength of human days. Death is inevitable, but that laboratory analysis why life shines and is precious.

水の二面性、生命を育む一方で命を奪う存在に魅了された私は、水からインスピレーションを受け、その哲学的な側面を探求しています。島国である日本という環境で育ち、活発な火山活動による豊富な水と、世界で発生する20％の地震（マグニチュード6以上）による津波に囲まれた中で、水との深い関わりを持つようになりました。私の文化的なルーツである神道では、死は自然のサイクルの一部であり、水と同じように捉えられています。

水中撮影は、安全性への配慮に加え、限られた動き、気泡、光、波の影響など、様々な制約の中で行われます。瞬時の判断が求められる環境で、構図、光、タイミングを的確に捉える必要があります。しかし、偶然の要素を取り込むことで、計算を超えたドラマティックな作品を生み出すこともできます。それは、不確かな環境下でも創造性を発揮しようとする人間の好奇心と強さを表すものであり、同時に、儚くも美しい瞬間を捉えることの重要性も強調することができます。

浮世絵、西洋古典美術、SFアニメからコンテンポラリーダンスなど、様々な芸術作品から影響を受けた私の作品は、無意識か意識的にか、心の奥底で抱える死への恐怖と身近な文化が融合しています。「BREATH」の気泡は星のように、「WAVE」の波は葛飾北斎の浮世絵のように、背景のディテールを削ぎ落とした表現は、日本独特のフラットな絵画表現を継承しています。
デジタル技術の進歩により、表現の幅が格段に広がりました。フレスコ画の伝統的な素材である漆喰を使用し、UVインクでプリントし呼吸をしながら固まる様子を表現しています。

黒田育世、吉本大輔など、各界で活躍するダンサー、パフォーマー、アスリートたちが、水中で生命力と死の狭間を表現する上で重要な役割を果たします。彼らのしなやかな動きは生命の躍動感を、力強い体は死への恐怖と戦う人間の強さを象徴しています。

　私は作品を通して、水に備わる生と死という相反する存在の美しさ、そして人間の存在の儚さと強さを表現したいと思っています。死は避けられないものですが、だからこそ生は輝き、尊いものです。

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